Mostrando entradas con la etiqueta Glam. Mostrar todas las entradas
Mostrando entradas con la etiqueta Glam. Mostrar todas las entradas

26/10/09

...............................................album of the week


T. Rex - (1971) Electric Warrior



Review by Stephen Thomas Erlewine (AMG)

Initially a British folk-rock combo called Tyrannosaurus Rex, T. Rex was the primary force in glam rock, thanks to the creative direction of guitarist/vocalist Marc Bolan (born Marc Feld). Bolan created a deliberately trashy form of rock & roll that was proud of its own disposability. T. Rex's music borrowed the underlying sexuality of early rock & roll, adding dirty, simple grooves and fat distorted guitars, as well as an overarching folky/hippie spirituality that always came through the clearest on ballads. While most of his peers concentrated on making cohesive albums, Bolan kept the idea of a three-minute pop single alive in the early '70s. In Britain, he became a superstar, sparking a period of "T. Rextacy" among the pop audience with a series of Top Ten hits, including four number one singles. Over in America, the group only had one major hit -- the Top Ten "Bang a Gong (Get It On)" -- before disappearing from the charts in 1973. T. Rex's popularity in the U.K. didn't begin to waver until 1975, yet they retained a devoted following until Marc Bolan's death in 1977. Over the next two decades, Bolan emerged as a cult figure and the music of T. Rex has proven quite influential on hard rock, punk, new wave, and alternative rock.

Following a career as a teenage model, Marc Bolan began performing music professionally in 1965, releasing his first single, "The Wizard," on Decca Records. Bolan joined the psychedelic folk-rock combo John's Children in 1967, appearing on three unsuccessful singles before the group disbanded later that year. Following the breakup, he formed the folk duo Tyrannosaurus Rex with percussionist Steve Peregrine Took. The duo landed a record deal with a subsidiary of EMI in February 1968, recording their debut album with producer Tony Visconti. "Debora," the group's first single, peaked at number 34 in May of that year, and their debut album, My People Were Fair and Had Sky in Their Hair...But Now They're Content to Wear Stars on Their Brow, reached number 15 shortly afterward. The duo released their second album, Prophets, Seers & Sages, the Angels of the Ages, in November of 1968.

By this time, Tyrannosaurus Rex was building a sizable underground following, which helped Bolan's book of poetry, The Warlock of Love, enter the British best-seller charts. In the summer of 1969, the duo released their third album, Unicorn, as well as the single "King of the Rumbling Spires," the first Tyrannosaurus Rex song to feature an electric guitar. Following an unsuccessful American tour that fall, Took left the band and was replaced by Mickey Finn. The new duo's first single did not chart, yet their first album, 1970's A Beard of Stars, reached number 21.

The turning point in Bolan's career came in October of 1970, when he shortened the group's name to T. Rex and released "Ride a White Swan," a fuzz-drenched single driven by a rolling backbeat. "Ride a White Swan" became a major hit in the U.K., climbing all the way to number two. The band's next album, T. Rex, peaked at number 13 and stayed on the charts for six months. Encouraged by the results, Bolan expanded T. Rex to a full band, adding bassist Steve Currie and drummer Bill Legend (born Bill Fifield).


· Track List:

01. Mambo Sun
02. Cosmic Dancer
03. Jeepster
04. Monolith
05. Lean Woman Blues
06. Get It On
07. Planet Queen
08. Girl
09. The Motivator
10. Life's a Gas
11. Rip Off



· Personnel:

Marc Bolan – vocals, guitars
Mickey Finn – conga drums, bongos
Steve Currie – bass guitar
Bill Legend – drums
Howard Kaylan – backing vocals
Mark Volman – backing vocals
Rick Wakeman – keyboards on "Get It On"
Ian McDonald – saxophone
Burt Collins - Flugel Horn



· About...

http://en.wikipedia.org/wiki/T._Rex_%28band%29


· Video:




13/10/09

...............................................album of the week


David Bowie - (1972) The Rise and Fall of Ziggy Stardust and the Spiders from Mars


Review by Stephen Thomas Erlewine (AMG)

The cliché about David Bowie says he's a musical chameleon, adapting himself according to fashion and trends. While such a criticism is too glib, there's no denying that Bowie demonstrated remarkable skill for perceiving musical trends at his peak in the '70s. After spending several years in the late '60s as a mod and as an all-around music-hall entertainer, Bowie reinvented himself as a hippie singer/songwriter. Prior to his breakthrough in 1972, he recorded a proto-metal record and a pop/rock album, eventually redefining glam rock with his ambiguously sexy Ziggy Stardust persona. Ziggy made Bowie an international star, yet he wasn't content to continue to churn out glitter rock. By the mid-'70s, he developed an effete, sophisticated version of Philly soul that he dubbed "plastic soul," which eventually morphed into the eerie avant-pop of 1976's Station to Station. Shortly afterward, he relocated to Berlin, where he recorded three experimental electronic albums with Brian Eno. At the dawn of the '80s, Bowie was still at the height of his powers, yet following his blockbuster dance-pop album Let's Dance in 1983, he slowly sank into mediocrity before salvaging his career in the early '90s. Even when he was out of fashion in the '80s and '90s, it was clear that Bowie was one of the most influential musicians in rock, for better and for worse. Each one of his phases in the '70s sparked a number of subgenres, including punk, new wave, goth rock, the new romantics, and electronica. Few rockers ever had such lasting impact.

David Jones began performing music when he was 13 years old, learning the saxophone while he was at Bromley Technical High School; another pivotal event happened at the school, when his left pupil became permanently dilated in a schoolyard fight. Following his graduation at 16, he worked as a commercial artist while playing saxophone in a number of mod bands, including the King Bees, the Manish Boys (which also featured Jimmy Page as a session man), and Davey Jones & the Lower Third. All three of those bands released singles, which were generally ignored, yet he continued performing, changing his name to David Bowie in 1966 after the Monkees' Davy Jones became an international star. Over the course of 1966, he released three mod singles on Pye Records, which were all ignored. The following year, he signed with Deram, releasing the music hall, Anthony Newley-styled David Bowie that year. Upon completing the record, he spent several weeks in a Scottish Buddhist monastery. Once he left the monastery, he studied with Lindsay Kemp's mime troupe, forming his own mime company, the Feathers, in 1969. The Feathers were short-lived, and he formed the experimental art group Beckenham Arts Lab in 1969.


· Track List:

01. Five Years
02. Soul Love
03. Moonage Daydream
04. Starman
05. It Ain't Easy
06. Lady Stardust
07. Star
08. Hang on to Yourself
09. Ziggy Stardust
10. Suffragette City
11. Rock 'n' Roll Suicide



· Personnel:

David Bowie – vocals, acoustic guitar, saxophone, piano, harpsichord
Mick Ronson – guitars, piano, backing vocals, string arrangement

Trevor Bolder – bass

Mick Woodmansey – drums



· About...

http://en.wikipedia.org/wiki/David_Bowie


· Video: